If you thought that India was missing out of the Oscars this time, you are mistaken.
With the shortlist for the Visual Effects Oscar for the 84th Academy Awards announced, Prime Focus has contributed to five of the ten films that are in the running.
January 25th, 2014
If you thought that India was missing out of the Oscars this time, you are mistaken.
With the shortlist for the Visual Effects Oscar for the 84th Academy Awards announced, Prime Focus
has contributed to five of the ten films that are in the running. The
firm which specializes in visual entertainment services created complex
VFX shots for Tree Of Life and X-Men: First Class, was the 3D conversion facility for Harry Potter And The Deathly Hallows Part 2, completed the 3D conversion and delivered stereoscopic VFX shots for Transformers: Dark Of The Moon and supplied on-set equipment for Hugo.
Prime
Focus delivered the detailed sequences of realistic dinosaurs in
Terrence Malick s The Tree Of Life. They also delivered stereoscopic 3D
visual effects and converted 230 shots into 3D for Michael Bays
Transformers: Dark Of The Moon. Upon the completion of Harry Potter And
The Deathly Hallows Part 2, director David Yates said, Prime Focus
delivered on every level and helped make our 3D conversion all that we
could have hoped for and more.
Prime Focus has contributed to five of the ten films that are in the running for the 84th Academy Awards.
The advertising post-production business of Prime Focus, a global visual entertainment services group, is going through an image makeover. In its efforts to grab a bigger slice of the pie, the BSE-listed company has revamped its existing facility in Khar (western suburbs of Mumbai) and launched it under the banner Prime Focus Commercials.
Phenakistoscope (1831) A phenakistoscope disc by Eadweard Muybridge (1893).The phenakistoscope was an early animation device. It was invented in 1831 simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. It consists of a disk with a series of images, drawn on radii evenly spaced around the center of the disk. Slots are cut out of the disk on the same radii as the drawings, but at a different distance from the center. The device would be placed in front of a mirror and spun. As the phenakistoscope is spun, a viewer would look through the slots at the reflection of the drawings which would only become visible when a slot passes by the viewer's eye. This created the illusion of animation.
