The Foundry Road Show India 2016 is happening in the month of November, same like last year. The Foundry is very proactive in such activities. They also took initiative of organizing the very first India meet up for Virtual Reality (VR) along with ARK Infosolutions. The roadshow event is sponsored by Lenovo. Registration is compulsory for all aspirant digital artists. Seats will be distributed on first come first serve basis.
November 15th, 2016
The Foundry Road Show India 2016 is happening in the month of November, same like last year. The Foundry is very proactive in such activities. They also took initiative of organizing the very first India meet up for Virtual Reality (VR) along with ARK Infosolutions. The roadshow event is sponsored by Lenovo. Registration is compulsory for all aspirant digital artists. Seats will be distributed on first come first serve basis.
Suzanne Jandu is very well known for her Compositing work accomplished in various Hollywood blockbuster movies like The Jungle Book, Exodus: Gods and Kings, Guardians of the Galaxy, 47 Ronin, Harry Potter and the Deathly Hallows: Part 2, Prince of Persia: The Sands of Time, G.I. Joe: The Rise of Cobra and many more. On high note credentials, Jandu has been nominated for an Emmy on the Extreme Engineering (Discovery Channel), Outstanding Composition for King Kong (VES) and Commercials (MPC).
NSFW Trailer for Tim Miller and David Fincher’s New Animated Anthology
Netflix sets March 15 as launch date for ‘Love Death + Robots,’ 185 minutes of startlingly dynamic animation not for the viscerally challenged!
Phenakistoscope (1831) A phenakistoscope disc by Eadweard Muybridge (1893).The phenakistoscope was an early animation device. It was invented in 1831 simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. It consists of a disk with a series of images, drawn on radii evenly spaced around the center of the disk. Slots are cut out of the disk on the same radii as the drawings, but at a different distance from the center. The device would be placed in front of a mirror and spun. As the phenakistoscope is spun, a viewer would look through the slots at the reflection of the drawings which would only become visible when a slot passes by the viewer's eye. This created the illusion of animation.
