Join Toon Boom experts Stacey Eberschlag and Bernard Boiteaux in collaboration with Rahul Commerce for an evening of inspiration and refreshments!
Bernard will talk about the state of the industry, the future of animation and the many opportunities for India’s Animation Digital Content market. Stacey will show you the latest releases of Toon Boom Harmony and Storyboard Pro, demonstrating how they can benefit your studio with increased profitability and enhanced production tools and efficien
March 07th, 2016
Join Toon Boom experts Stacey Eberschlag and Bernard Boiteaux in collaboration with Rahul Commerce for an evening of inspiration and refreshments!
Bernard will talk about the state of the industry, the future of animation and the many opportunities for India’s Animation Digital Content market. Stacey will show you the latest releases of Toon Boom Harmony and Storyboard Pro, demonstrating how they can benefit your studio with increased profitability and enhanced production tools and efficiencies.
This is a must-attend event for Flash, Traditional, 3D and Game studios, and Higher Education Directors!
Date: Wednesday March 9, 2016, 7:30 PM
Location: Taj Deccan Rd Number 1, Banjara Hills, Hyderabad, Telangana 500034, India
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Riding on the immense popularity of Chota Bheem and Motlu Patlu comes one more animation series with the made in India TAG. Launching on Hungama TV on 9 November and created by Maya Digital Studio, Vir: The Robot Boy, is a sci-fi animation that promises to tickle the kids funny bone while teaching them a lesson or two about life.
Phenakistoscope (1831) A phenakistoscope disc by Eadweard Muybridge (1893).The phenakistoscope was an early animation device. It was invented in 1831 simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. It consists of a disk with a series of images, drawn on radii evenly spaced around the center of the disk. Slots are cut out of the disk on the same radii as the drawings, but at a different distance from the center. The device would be placed in front of a mirror and spun. As the phenakistoscope is spun, a viewer would look through the slots at the reflection of the drawings which would only become visible when a slot passes by the viewer's eye. This created the illusion of animation.