Join Toon Boom experts Stacey Eberschlag and Bernard Boiteaux in collaboration with Rahul Commerce for an evening of inspiration and refreshments!
Bernard will talk about the state of the industry, the future of animation and the many opportunities for India’s Animation Digital Content market. Stacey will show you the latest releases of Toon Boom Harmony and Storyboard Pro, demonstrating how they can benefit your studio with increased profitability and enhanced production tools and efficien
March 07th, 2016
Join Toon Boom experts Stacey Eberschlag and Bernard Boiteaux in collaboration with Rahul Commerce for an evening of inspiration and refreshments!
Bernard will talk about the state of the industry, the future of animation and the many opportunities for India’s Animation Digital Content market. Stacey will show you the latest releases of Toon Boom Harmony and Storyboard Pro, demonstrating how they can benefit your studio with increased profitability and enhanced production tools and efficiencies.
This is a must-attend event for Flash, Traditional, 3D and Game studios, and Higher Education Directors!
Date: Wednesday March 9, 2016, 7:30 PM
Location: Taj Deccan Rd Number 1, Banjara Hills, Hyderabad, Telangana 500034, India
MUMBAI: FICCI Frames 2017 is back with yet another of the most impactful theme Digital: Divide or Dividend. Come be a part of the 18th Edition of Asia's Largest Convention on the Business of Entertainment. Date: 21-23 March 2017 at Hotel Renaissance, Mumbai
Phenakistoscope (1831) A phenakistoscope disc by Eadweard Muybridge (1893).The phenakistoscope was an early animation device. It was invented in 1831 simultaneously by the Belgian Joseph Plateau and the Austrian Simon von Stampfer. It consists of a disk with a series of images, drawn on radii evenly spaced around the center of the disk. Slots are cut out of the disk on the same radii as the drawings, but at a different distance from the center. The device would be placed in front of a mirror and spun. As the phenakistoscope is spun, a viewer would look through the slots at the reflection of the drawings which would only become visible when a slot passes by the viewer's eye. This created the illusion of animation.
